| By :
Terry S Vostor
The Inuit - the Canadian "First Nations" or perhaps "Aboriginal Indians" or the North now stand at what might be considered by some to be the very crossroads of their very culture and way of life. The old life has nearly disappeared with modern times and technologies in their mix. Add to the whole episode the issue of global warming and its perhaps a time of crisis and climax on the virtual horizon. It can be said that in recent years and times the life and lives of the Inuit has changed beyond comprehension. Who in the world would thought of modern communications - be it fax machines , the internet , modern air and jet aircraft travel - never mind satellite TV and the simple replacement of motorized Ski-Doo snowmobiles for the standard dog sled teams of yore. This has been supported and fostered to a great degree by artist's cooperatives to develop, support and market these products worldwide. In talking and communicating of the art and art forms of the culture and historical record of the Inuit we are struck with the essence of their lives and historical records themselves. For these items were part of their daily lives , routine and indeed survival itself in among the harshest climes of the globe. Life was not an easy task for the "People". A "snow knife" or a bow drill was to be used and utilized on a frequent , if not daily basis as a vital tool and utensil of life and survival. Although some of the time , a snow drill might be decorated and enhanced with ornamentation , a flowery form so to speak, that tool remained first and foremost one of function. It might be enhancements to add luck for yet another day , another hunt. Yet it all came down to function and perhaps thanks to the creator - for being permitted to hunt and live yet for another short time span on this earth. For the animals and men which appear in Inuit Aboriginal art are not simple forms but are the images of a great and supernatural world of great anthropological content and derivative history and essence. The Inuit now stand at a most vital cross-roads of their culture and communities. The know well that their ancestral ways are in a flux. On top of that add in the effects of global warming and the reduction of the polar ice cap and increase in mean temperatures to their environment to the mix. Global warming and its effects to their communities and way of life are not simple theory to them. The impact to their lives , culture and community of the global warming trend is a deep threat to their whole vibrant culture and historical living record. Life was both hard ,uncertain and moved on almost tediously. It might be one huge rush in a hunt and hunting sequence to waiting hours and hours silently by a single seal "blow hole" in the ice. Nothing took the place of experience and expertise when it came to the role of the most senior and experienced Inuit hunters of their realm. Being so close to nature "the People" that is in their own language "The Inuit" believe deeply and foremost in the unity of each, every and all living things and have evolved a both deep, rich and the richest folklore which both expresses, extends and teaches the very lesson and lessons of their icy experiences of both life and eventually of death. By understanding their world - This may of been because the worker or hunter first and foremost concern and concerns were in making a tool that was of merit and function to his immediate community. While the decoration may of been an add on - an after-thought it was all made without much in the way of fan fare or any self-consciousness - whether we reside on the globe - In the long nights of Arctic winter, when the sun was not seen for many many months there were moonless or stormy time periods when "equipment" or the cultural work trappings were made , prepared ,repaired and maintained. Sometime these workers or proponents produced objects not only of great utilitarian value but also of astonishing artistic value and merit.
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